How To Prepare For An Audition - AUDITION SERIES Part 3

What are some of the WORST musical theater audition mistakes you can make? In this video, we talk about some of those mistakes as well as how to properly prepare for an audition so you can see success in your labor! Now - does every audition always work out the way you want it to? No. Do you ALWAYS get the role you want? No. BUT each of these auditions teaches you something incredibly valuable that will make you a better auditioner for next time because guess what?? Number one thing to remember! THERE IS ALWAYS ANOTHER SHOW. ALWAYS. If a director says no to you, it is not the end. It just opens the door for a different show and director to say YES to you. There is always another show.

Things we discuss include:

  • how to pick which role to audition for.

  • Character descriptions and why they matter.

  • Being familiar with the show.

  • Analyzing roles.

  • How to pick a song.

  • Figuring out what range to sing in.

  • How much time should I spend preparing?

  • How much time should I spend on virtual auditions?

  • Dressing for auditions.

Each of these topics discussed will make you a stronger and smarter auditioner. Don’t work harder! Work Smarter! But sure, you do need to put in a fair amount of work to make yourself stand out! Don’t get lazy on the job now. If you are in theater it’s part of your J.O.B. to audition. Get good at it. Geek out about how to get better at auditions. In-person OR virtual auditions. Start creating a wardrobe specifically dedicated to your auditions. Always be on the hunt for unique audition apparel. If you’re creating virtual content consider getting a better setup. A light situation, camera, tripod, backdrop. Maybe consider keeping a permanent audition space setup so that you can easily record on a regular basis. Like I said, geek out and be weird about it. All the things. I cannot wait for you to get brave and put yourself out there! If you need help prepping for your audition, reach out to me and I’d love to help!

Figure Out Your Casting Type and LAND the role - AUDITION SERIES Part 2

This video is all about typecasting. Do you know your typecast? Is not knowing your typecast holding you back? Are you stuck in a specific typecast? If you want to understand how to audition for roles that suit your casting type check out the video below as we discuss the pros and cons to type casting, why it’s important to understand for yourself and how to apply it to your auditions.

Knowing your casting type is important in musical theater productions because it allows you to better serve casting directors and the audience. By knowing your type, you can play those roles perfectly since they naturally suit you, and you can perform them better than any other actor - you’re the best possible match for that character type. Understanding your casting types mean that you can increase your changes of getting cast in a production and improve your audition.

Common casting types include:

  • Adult actors who can appear as younger or older

  • Ensemble members who fill scenes and dance numbers, and serve as the chorus in musical numbers

  • Mom, lawyer, cop, spy, teen, criminal

  • Quirky, serious, intellectual, sexy, loud, innocent

Some common mistakes actors make when auditioning for shows include:

  • Being unfamiliar with the show or having a general sense of the theme of the show

  • Not understanding the character they’re auditioning for

  • Not coming in prepared to the audition

  • Assuming that if they set their age range on online casting platforms from 0 to 99 years old, it will give them the best possible chance of getting cast

  • Not preparing ahead of time (which is different than being prepared FOR the audition)

AUDITION SERIES - How To GET CAST and Impress a Casting Director

Have you ever wondered what you need to DO and BE in order to get cast in a theater production? Have you been auditioning and haven’t gotten cast? Have you wondered if you’re doing anything wrong when it comes to auditions you submit? Well! Let us have a conversation about auditioning! Heck. We need more than one conversation, we need several. So join my friend, Mr. Danny Keetch and me in the studio as we talk about all things theater and auditioning in particular. In this video we discuss how to get cast, how to impress casting directors, what is the vision of the production, The Directors Network, breaking into theater, breaking BACK IN to theater, auditioning energy, and much more!

How To Show Up For the NEW YEAR 2023! Motivation Vs DOING

Hey there! Serene here.

New Year, new….you? Naww! Same you! New desire to change SOMETHING though. Sometimes it’s easy to say, ‘I’m going to find my motivation’ or ‘I’m going to find my “why” before doing anything. Before auditioning for that show. Before starting that business. Before signing up for lessons. Some would even say that if you don’t have a deep and meaningful “why” that all your efforts will be fruitless.

I said that about my Youtube channel this last fall, 2022. I decided to take a break. Much needed break might I add. Creating content for Youtube is a never ending process and if you’re not careful it can take you down roads you may not realize you are taking. For example, when I started making reaction videos, it started with an inspiration to react to a well known video that was going around. It was a blast to make, pretty easy to do and once I got it published, it began getting view after view! FINALLY! A video I made was making some real traction! It was the first time ever for me and it felt GREAT. Especially when online viewers started to comment, chat and even disagree with me on the video. That part was a surprise but I allowed it. I allowed all views and comments to flow forth. So I started making more reaction videos. I got requests from my subscribers. I listened to them and started reviewing the most requested videos. It became a rabbit hole of reaction videos.

While I did enjoy some musical artists that truly inspired and WOW’d me, I began to feel burnt out. I lost my motivation and made some reaction videos that felt fake to me. I hated the music, but heaven help me I could not say that I hated it! Strong words Serene! My viewers would be so upset if I reacted to a video I truly hated and I would too. Why put something on the Internet that wasn’t bringing SOME kind of value to your channel? Well, I did and it did not take me long to stop doing that. I could just FEEL it wasn’t me. It wasn’t the kind of content I wanted to created and had no passion for it. I will say, some of my favorite artist to listen to and react to have been, Felix Irwan, Dimash, Aurora and Alip Ba Ta. Those artist light me up! I love them!

I took a break from Youtube to “find my motivation” and my “why” for why I created and would eventually continue to create videos for my Youtube channel. As of today, my channel has 40.7K subs. It feels like a great success and feat for me. I feel proud of the hard work I’ve put into it thus far. BUT I am not done. No I am not. You know what I found out on my break? I couldn’t find my motivation. None. I still did not have a “why” for my channel and did not feel motivated in the slightest to create content. Hello motivation? Excuse me? WHERE ARE YOU???

You know what I did learn? I had a DESIRE to be motivated? Magic fix? Nope! From past experiences with, em!, running, I had learned that motivation came from the DOING. Not the wanting to do. So….from the small seed of WANTING to create content and valuable information for my audience, I started. Do I feel motivated? Not particularly. Do I have massive inspiration for what content I am making. Hahaha! No. But I KNOW that through the DOING I can FIND 1. momentum 2. motivation 3. inspiration 4. community.

Enjoy the video below as I expand on these thoughts and MORE! Thanks for being here.

Halsey - Without Me Reaction Video

Halsey. Have you seen this video?? This is one of the best live performances of Without Me, originally by Halsey. The grit and tone that she has in her voice is so unique. The radio version of the song is so vanilla in comparison. Do you agree? Vanilla is nice for things that are universally accepted but what if you want something with more underlying feeling? Something with more angst? Something with more pain? Something with more joy? Enter. Halsey singing live. The live version of Without Me is pure magic and it speaks to my soul. Check out my reaction video to Halsey singing, Without Me.

AUDITIONS - Part 2

I know I know…You’ve been waiting with bated breath to hear the results of my audition right?? Yeah, I’ll bet you have. 😜

I sent in my audition video and waited. And waited. And waited. Waiting to hear back from something like this is probably the worst part. THAT and actually imagining them watching your video. If I’m unsure about the video I sent, that will actually make my stomach turn. I digress. In actuality, I only waited about 48 hours before I got the email asking me to come in to the call back. Whoo hoo! I made the call back. But wait. Plot twist here my friends. I got called back for the hot box dancer part. Don’t get me wrong, I LOVE dancing. It was my minor in college. I’ve taken years and years of dance. Some of the genres I studied include ballet, tap, modern, jazz, creative, ballroom and hiphop. The question for me has always been - which do I love more? Music? Dance? Music? Dance? Why not BOTH?? I do love both. Each speak to my soul quite differently.

So this dance call back. It has been a hot minute since I took an actual dance class so I felt a little overwhelmed with being called back as a hot box dancer. No matter! I’ll practice! I had one week before the actual call back day, so I had time. Every day (or night) I would go to my dance basement space and practice. I looked up YouTube videos of dance combinations that I thought were a similar genre and learned them to death. I even looked up specific dance routines for the show itself. I’ll link my favorite video below:

I loved learning this routine. It challenged me and forced me to think ahead. The genre was perfect too! It was definitely a show piece. It spoke to my jazz training quite well. I’ll be honest. Jazz was never my forte’ but I knew I had a strong background in performing and was confident that if I kept practicing, all would be well.

The day of the auditions arrived! I was SO excited. Like, so excited that my driving skill were slightly impaired. Sorry local friends. On the drive, I wanted to PUMP myself up. You can tell when someone has high energy or when someones energy is more melancholy. This show did NOT call for melancholy so I needed high energy. The song that I listened to that really gave me some good energy was by Fall Out Boy - Light ‘Em Up. Oh you better believe it. I was feeling PUMPED. That and the song by Pharrell Williams - Happy. I tell ya! Happy does it for my every time. Great song.

I arrived slightly early - totally didn’t want to be late - phew! Temperatures were took (still during covid time), 98.8 (oh good! I’m not sweating my nervous brains out.) I stood in line to check in and get my number. After which we went strait in to the audition room. It looked more like a massive warehouse which was very cool. Oh! Mirrors! Oh! An actual dance floor. Cool. Then it began. We learned the first part of the combination, then the second, then the third, then the fourth, then the fifth…and on it went. I don’t really remember HOW many sections of this routine we learned but it seemed to just keep going. Not gonna lie. This type of routine was what I feared. The length. Keeping the sections in the correct order. That’s really where I felt I was falling short and that’s where taking dance classes comes in handy. Too late for that now, I just had to press on!

You know what got me through this audition? Making believe that this wasn’t a call back, but a dance class. I was there to take a class and learn some new things and have fun! That really helped me. It helped me to keep perspective on my mistakes and it helped me to keep perspective on learning. This particular class did have a “class presentation” at the end aka - perform the combo you just learned. That was fun but boy! I did make some mistakes. I got in my head too much. I got in my head when the combo was being learned. BUT I did have a blast performing the combo. When everyone had performed the routine the producer talked to us. She gave us some wonderful advise and encouraged us to keep auditioning as this show was only going to cast 8 people out of the 90 that did call backs. I’m no math whiz but that’s what? 10%? I think so.

Call back over! Thank goodness. I left with a really positive sense of the experience and gratitude that I was able to audition at Hale Centre Theatre. It really had been so much fun. The next fun part? Waiting. I’m curious how long it actually took them to cast everyone but the final cast list was posted 18 days after the call backs. It felt like an eternity. Every time my phone went off with an email notification I would - as calmly as I possibly could - check my phone. The emails I did receive ranged from Old Navy trying to get me to buy all the clothes (could have used that as a good buffer but didn’t,) to emails from my voice teacher, the local church and the library. I heard nada from Casting Manager, which is where any important email would come from. I imagined what it would be like to receive that email. “Congratulations! You’ve been cast in our production of Guys and Dolls! Do you accept this role?” This is where the hard part is. You have to click on the YES button. I imagined the thrill of excitement as you realize that your life will infinitely change for the next 6 months. These are the thoughts that made my stomach turn in anticipation. I really just needed a firm answer. I was willing to take the answer, whatever it may be, but I NEEDED an answer. Till one day…..

I received an email from the administrative assistant. It was titled Guys & Dolls update. Nervously, I read that casting would be announced the following week and gave the instructions that if you are cast, you’ll receive an email from Casting Manager that you MUST respond to. I wondered if people had forgotten this crucial step. Hit YES. Ya know you want to! Press that YES button and move ahead! PLEASE! For all our sakes. Some of us are dying here. My favorite part of the email was the closing statement in all caps, “HANG IN THERE!” Oh! This gave my heart hope. Deep down I felt like I would not be cast this time but that statement gave me HOPE. Hope I needed. There IS a possibility that I could be cast but even if I wasn’t, I knew I could accept the decision with grace. There was SO many talented people who auditioned and I knew that they would be able to get a fantastic cast from all the auditioners.

In the end when the final cast list was posted, no I was not cast. Was that OK? Yes. I felt so grateful to have the decision made. Waiting had been brutal BUT it was worth it. It was worse then waiting for Christmas but I would do it all over again. It was definitely a roller coaster of emotions and thoughts but it was good practice to keep my mind and faith in check.

Will I audition again at Hale Centre Theatre? You bet your bottom dollar I will! Such a generous company to audition for. They put out some incredible musicals and plays to be sure but also the experience of auditioning for them was SO POSITIVE. They were so kind.

Stay tuned for future auditioning stories….

Your truly,

VS.png

AUDITIONS - Part 1

AUDITIONS. The big. Exciting. Scary. Word.

OK to be entirely honest. I LOVE doing auditions. Something about it is so exciting to me, similarly to going on a roller coaster, going skydiving or asking someone out on a date. The RUSH is REAL. The unknown of everything also brings excitement.

Recently I participated in a number of auditions but the one I want to highlight today is my experience in auditioning for a local professional theatre - Hale Centre Theatre. I found out about auditions for Guys and Dolls from a student who was preparing to send in an audition video. Because of Covid-19 2020, the initial auditions are done via video submissions. Guys and Dolls is one of my absolute favorite shows. I adore the story line, characters and music. It holds a special place in my heart. So what did I have to lose in sending my own audition video in? Not much really. So I rehearsed my favorite song, Adelaide’s Lament and prepared to film my audition video. Some things I considered in the days leading up to filming was my song. Did I know it well enough? I tried to memorize memorize memorize. What kind of character did I want to embrace? Who is Adelaide? What are her struggles? What is the thing that she connects with most? How do her struggles show up in her body?

After several days of pondering and slightly putting off the filming session - I pressed record. I had a half an hour at best to do the recording. I recorded again and again and again and again. After about 25 mins of takes I FINALLY felt like a had a solid grip and WHO Adelaide was to me. I adjusted how I was singing the part. I added character flaws. I added looks and mannerisms that matched the character for Adelaide that I had created in my mind. I was in LOVE with her. After another 25 mins I finally had two takes that I was really happy with. Now to decide which one was my money take. I struggled to decide. I sent both videos to 4 different trusted coaches. Each gave their advise and I sent in the one I felt was the strongest. I’ll post both videos below. Can you tell which one was my money take? The one I ended up sending into Hale for my audition? Let me know in the comments below.

Video #1

Video #2

Find The Beat In A Snap!

This video is the BASICS when it comes to finding the beat of a song. We will learn 4 different beating patterns in this video and discuss 4 different time signatures. Each time signature is important to understand in order to feel the motion of different pieces and the beating pattern will enable you to FEEL the beat of any time signature.

BASE BEAT

The first beat pattern we talk about is simply find the BASE BEAT. How do we find the strong beat of the song? Finding this beat is essential when it comes to understanding how to sing any song.

2/4

The second time signature or beat pattern we talk about is the 2/4. Each beat per measure will get 2 beats. Beating for 2 beats is pretty easy. You can use this pattern when you want to simplify a more complicated time signature such as 3/4, 6/4 or even 12/4.

3/4

The third time signature we will discuss is the 3/4 pattern. This pattern is the one that feels like a Disney movie romantic scene dance. It’s the WALTZ pattern. This is the pattern that will either make you or break you. It has to be smooth, continuous and moving. If you feel like you have two left feet, this pattern might be a little tricky. Don’t worry! This video breaks it down so you can EASILY grasp this beating pattern.

4/4

The forth time signature we learn is the 4/4 pattern. This pattern gives us four beats per measure and is the MOST COMMON time signature. 4/4 is also known as ‘common time.’ This is the pattern we would use if we were to sing Twinkle Twinkle Little Star.

Learning each of these time signatures and beating patterns will help you immensely especially if you struggle to stay on beat or even find the beat to music.

Feeling Throat Tightness? Tension? Use this warm up to keep your vocal chords and muscles relaxed.

If you’re feeling tension in your throat, neck, shoulders, abdomen or elsewhere? That is NOT GOOD. We do not want tension when we’re singing. The best place to start, is by keeping everything nice and relaxed is in warm ups! Here’s 4 ways to do that:

  1. Take some deep breathes before you begin

  2. Breathe from a LOW LOW LOW place

  3. Use your hands

  4. Lip Buzz on the notes

QUESTIONS

Why do you start with some deep breaths?

Deep breathing brings your awareness back to the NOW. It brings awareness to your body. Since your body is the instrument in singing, this awareness is vital. Take 2 -5 deep breaths and breathe into every part of your body. Take your breath into your hips, down to your feet, up to the crown of your head and out your hands.

Why do I need to breathe from a LOW LOW LOW place?

Breathing from a low place encourages the breath to have more power behind it. Creating more power behind your breath will strengthen your singing and ability to sing longer phrases. You don’t want to sound weak while you sing. Trust me.

I feel stupid when using my hands to sing. Is it really necessary?

It is REALLY NECESSARY. Since when does your instrument care how you use it to get the desired result? Turn off your brain thoughts for a minute and just do it. Will it feel weird? Probably. But it will help your voice and breath to move more freely throughout your body. The more you move, the more freedom your voice will have.

How do you get your lips to buzz? I’m struggling here.

First off, shake out your legs and loosen up your lips. Physically. Then as Sebastian would say “pucker up your lips. Like this!” If you need to, wet your lips a bit to get things moving. Still struggling to buzz? Try pushing MORE AIR through your lips - like you do when you sneeze.

The video below will help you with the exercise. Check it out and see if you can find success in your lip buzzing. Be sure to like the video on Youtube and comment below if you have any questions!

I'm Alive Cover (originally by Sia)

#alivecover #siacover #alivefemalecover Alive, originally by Sia, covered by singer Serene Parker

Social Pages:

Facebook: https://www.facebook.com/serenevocalstudio

Instagram: https://www.instagram.com/serenevocalstudio/

If you like this video, please be sure to COMMENT, SUBSCRIBE, LIKE, SHARE! Love you y'all! PEACE!

LEAD VOCAL: Serene Parker

VIDEO: Serene Parker VIDEO EDITING: Serene Parker

AUDIO MASTERING: Lakeview Recording Studio

INSTRUMENTAL TRACK: SING KING https://www.youtube.com/watch?v=H0QBqsJF3aA

Hallelujah (cover)

#hallelujah #hallelujahcover

Every year students at Serene Vocal Studio have the opportunity to record in a professional setting.

Check out miss Annicka singing Hallelujah.

Many thanks to Lakeview Recording Studio

Many thanks to one of my favorite karaoke channels, Sing2Guitar, for providing this incredible accompaniment track. Check out their channel here: https://www.youtube.com/watch?v=lr9gHl-V7f8 I do not own rights to this song.

Social Pages:

Facebook: https://www.facebook.com/serenevocalstudio Instagram: https://www.instagram.com/serenevocalstudio/

If you like this video, please be sure to COMMENT, SUBSCRIBE, LIKE, SHARE! Love all y'all! PEACE!

Born Ready Cover Originally by Dove Cameron

Every year students at Serene Vocal Studio have the opportunity to record in a professional setting.

Check out miss Lia singing, Born Ready originally by Dove Cameron.

Many thanks to Lakeview Recording Studio.

Many thanks to one of my favorite karaoke channels, Muramatsu Karaoke, for providing this incredible accompaniment track. Check out their channel here: https://www.youtube.com/user/MURAMATSUKARAOKE

I do not own rights to this song.

Check our our social pages:

Facebook: https://www.facebook.com/serenevocalstudio

Instagram: https://www.instagram.com/serenevocalstudio/

If you like this video, please be sure to COMMENT, SUBSCRIBE, LIKE, SHARE! Love you y'all! PEACE!

Vocal Coach Reacts to AURORA

One of THE BEST artists on the market - Aurora. Not only is she a great talent but she’s innovative and a true performer. Those are hard to come by now days. She sings, plays piano, performs and dances and makes the song truly her own. It’s been a long time since I’ve seen such artistry. Thank you Aurora for sharing your talent. Enjoy as I react to her take on Ariana Grande’s God Is a Woman.

Vocal Coach Reacts to Aurora's - Believer (Imagine Dragons Cover)

Hey hey! Check out my reaction to Aurora singing Believer - Such a fun video to react to!

Linked videos: How to sing AURORA's part from INTO THE UNKNOWN: https://youtu.be/zLODfWhxsiU

How to Sing HIGHER: https://youtu.be/L3HQiF4suiQ

How To Sing Vowel's - https://youtu.be/XWS-hY3sEtI

The Siren Warm Up - https://youtu.be/dwi26nfHYtE

How to NAIL the chorus of Into The Unknown: https://youtu.be/ecirEUnhGG0

How to SING Into the Unknown: https://youtu.be/DHTN-24U6gs

SING IN TUNE: https://youtu.be/krRiOqDGbX8

Guys 3 Quick Warm Ups: https://youtu.be/3D5tGgbOebw

Vocal Warm ups: Breathing - https://youtu.be/xlsbzaN3NbA

Pop warm up - https://youtu.be/1SxbrxqFSfw

5, 4, 3, 2, 1 - https://youtu.be/EGb9DNdP93Y

Hung Gee (forward placement) - https://youtu.be/rJrfpJHRpZM?t=70

Solfege - https://youtu.be/OkW4v_MJEUg

Schedule a lesson today! Follow us on Facebook: Serene Vocal Studio Instagram @SereneVocalStudio

Vocal Coach REACTS to Idina Menzel's performance at the OSCARS - Into The Unknown

You can learn SO much from watch other people perform. Some questions you can ask yourself while watching any performance.

  1. How did they show up? (Sloppy? or put together and all glammed up?)

  2. Was their first note on pitch?

  3. What was their face doing?

  4. Did they look like they were having fun?

  5. Did you LIKE watching them?

  6. Did they make mistakes? If they did, how did they recover?

Check out Idina Menzel’s performance - Into The Unknown LIVE at the Oscars. In a live performance there is ONE SHOT to do it right. ONE chance to sing your heart out. There are NO do overs during a live performance. So you may as well go BIG or GO home.

VOWELS. Master Vowels and You Can Master ANYTHING!

Songs are made up of two things, melody and words. Words are made up of consonants and vowels. In singing, vowels trump consonants in terms of importance. So in that regard, vowels are one of the the most important elements of singing. Vowel shapes in the mouth make each sound different and unique. The cool thing is, we can change the shape of our mouths to make different sounds for each vowel. Each sound sound is unique. If every song was sung on one vowel, it would be boring boring boring.

What are the vowels most important to singers? We use I, E, A, O, and U as primary or mother vowels. Remember - vowels are all about the sounds. How a vowel sounds is more important than how a word is spelled. Spelling is secondary here. So in reality vowels are all about mouth SHAPES. Check out the chart below:

Screen Shot 2020-02-03 at 11.13.43 AM.png

I Vowel

We are going to take the latin based approach to the vowel I. So instead of this vowel saying “ih” as in the word sit, we will say “EE” as in the words meet, peace, and speed. In latin based languages such as Italian, the word bambino is pronounced bam-bēnō and the I vowel takes on that “EE” sound. It’s important to note that even though some words such as meet and greet don’t have a literal I vowel in them, they still take on that “EE” sound. So it doesn’t really matter how the word is spelled as much as how the word is pronounced. How the word is pronounced will determine which vowel shape we assign to each word.

Make sure that the “I” vowel has SPACE. The “I” vowel will come through in that “OO” space and have the trumpet lips happening here. Nice and loose and forward. Don’t worry, it WILL feel weird and you WILL feel like you’re speaking in a different language.

IMG-0913.jpg

E Vowel

The “E” vowel is going to take on our “Eh” sound. “Eh” will be sung is the “Ah” space with a dropped jaw and a lifted tongue. Note that the tongue is the part that is doing ALL the work here. The jaw just stays open open open. If your “Eh” vowel starts to become more horizontal, you need to drop your jaw more. This vowel is a TALL vowel. Think Eiffel Tower in your mouth. This vowel pronounces words such as met, gem, and even the word said.

Notice that the word “said” is spelled with the vowels “A” and “I”. Does that matter? No. Do we pronounce the word with an “Eh” sound? YES. So we use the “E” vowel and space associated with it, to pronounce this word.

IMG-0846+%281%29.jpg

A Vowel

The “A” vowel is going to take on the largest space in our mouth while pronouncing “Ah”. The jaw is dropped and the tongue is dropped. People get scared of this vowel and try to pull up their tongue to help “place” the sound forward but it will NOT help you to get your tongue involved here. This vowel is the most open space and it needs ALL. THE. SPACE. But remember, the sound in this vowel is placed FORWARD. Do NOT swallow the “Ah” sound or you will be in a world of trouble. If you have trouble with the sound being too far back, swallowed, or too dark, try to sing “Ah” with an ever so slight smile as you sing into the large space.

IMG-0791.jpg

O Vowel

The vowel “O” is really the most strait forward. It LOOKS like it should SOUND. You sing the vowel “O” and you make a nice big round “O” in your month. Check in the mirror to make sure the “O” shape in your mouth is nice and big, like the picture here. The “O” space slightly less open than the “Ah” space.

IMG-0878 (1).JPG

U Vowel

The “U” vowel should be sung in the “OO” space. The same space as the words due, blue, and you. The lips will look like “trumpet lips.” The shape on the outside is important but equally important is the shape on the INSIDE of the mouth. Check your tongue. Is it getting in the way? Make sure your jaw is dropped and your back teeth are not touching.


How To Sing Silent Night - (And CRUSH it)

Silent Night is a holiday favorite! You can hear it sung at many local gatherings. I find it nice to be able to sing it well. Most don’t know how to sing it well. BUT that will not be your story if you decide to learn how to sing it right, once and for all!

When I was a child, I lived at a private performing high school that my parents helped start. Performing was a normal part of my life and happened on a day to day basis. One of my favorite places to sing music was at voice class. Imagine myself, 3 years old, underneath the grand piano singing my heart out during voice class. I was not supposed to be in there, but as long as I didn’t disrupt the class I could stay and listen. The teacher was Pamela, she was a vocal expert! She knew how to teach the students to sing with confidence, sing in tune, and sing long phrases. One of her favorite songs to use was Silent Night. Silent Night taught students how to sing those long phrases by using their breath. Silent Night had lots high notes so students HAD to use their breathing support to hit them. If they didn’t, notes would be weak, flat, and ugly. Sometimes I could not help myself but to belt out the correct notes as loud as I could. I would get a quick word, “Shhhhh! Serene be quiet! BUT she did hit all the right notes.”

Hung Gee Exercise - Perfect for choir!

How to bring your voice forward into the mask so that you can have more agility with your voice. A swallowed tone is one of the biggest downfalls for people who've been in CHOIR. Choir directors always say to blend blend blend. BLENDING does NOT equal swallowed tone. But often people think that to blend means to swallow your tone. Swallowed tone muddies sound and makes things less clear. Learn how to properly keep your sound and tone FORWARD so that you can have agility in your voice and be able to do runs and rills AND blend with your choir section.